About
James Boldin is an Associate Professor of Music at the University of Louisiana at Monroe, and currently holds the Dr. William R. Hammond Professorship in Liberal Arts. His duties at ULM include teaching applied horn and music history, and performing with Black Bayou Brass, a faculty ensemble in residence. Boldin has performed and taught extensively throughout the region and abroad, and recently presented guest recitals and master classes in Thailand at Mahidol University, Silpakorn University, and the Royal Thai Navy Music School. He has performed at the 44th International Horn Symposium and at numerous regional workshops. Recent conference presentations include clinics at the Midwest Clinic International Band and Orchestra Conference, the Louisiana Music Educators Association State Convention, and the South Central Regional Music Conference. He earned the Doctor of Musical Arts and Master of Music degrees from the University of Wisconsin-Madison, and a Bachelor of Music degree from Appalachian State University. Boldin’s primary teachers include Douglas Hill and Dr. Karen Robertson.
An active orchestral musician, he performs regularly as a member of the Monroe Symphony Orchestra (Principal horn), Rapides Symphony Orchestra (Third horn), and Shreveport Symphony Orchestra (Fourth horn). He has also performed with the South Arkansas Symphony Orchestra, Louisiana Lyric Opera, and Opera East Texas, and with numerous orchestras in Wisconsin, including the Madison, La Crosse, Green Bay, Manitowoc, and Oshkosh Symphony Orchestras. He has performed as soloist with the Monroe Symphony Chorus, the ULM Wind Ensemble, and the ULM Symphony Orchestra.
Recording credits include two CDs on the Summit Records label, Soliloquies, featuring euphonium soloist Demondrae Thurman, and Forbes Plays Koetsier, featuring tuba soloist Mike Forbes. Additional recordings include James Dick Plays Edvard Grieg, with the Texas Festival Orchestra conducted by JoAnn Falletta, and Overtures from Overture Hall, with the Madison Symphony Orchestra conducted by John DeMain. His articles have been published in The Instrumentalist Magazine and The Horn Call: The Journal of the International Horn Society, and his musical arrangements have been published by Cimarron Music Press. In 2012 he was awarded a Career Advancement Grant from the Louisiana Division of the Arts. He also maintains a blog devoted to horn playing and teaching at http://hornworld.me. Boldin is a member of The College Music Society, The National Association of College Wind and Percussion Instructors, and The International Horn Society. He currently serves as IHS area representative for the state of Louisiana. For more information on horn study at ULM, visit the ULM Horn Studio website.
Helo, I’m Carlos from Portugal.
I’m a trombone player of a Portuguese Brass Quintet.
I saw from your site that you have played Plog’s Four Sketches for Brass Quintet. I’d like to know if you can send me the horn part of that piece by mail, because our horn player have lost it and he can’t find it.
Can you help us please?
Thank you
Carlos Silva
Dear James,
Greetings from Muncie, IN.
FYI, JOMAR Press has many new works for horn(s).
See:
http://www.jomarpress.com/catalog/202HornSolo.html
and
http://www.jomarpress.com/catalog/204HornSig.html
Sincerely,
Mr. Jody Nagel, D.M.A. (U.T. Austin, 1992, composition)
Professor of Music Theory & Composition
Ball State University, School of Music
co-editor, Jomar Press. (www.jomarpress.com)
P.S.
Arizona hornist, Tom Bacon, plays many Jomar pieces.
Hi Dr. Nagel,
Thanks for the information – I am familiar with JOMAR Press, mainly through the works of Mark Schultz. I’ll make sure to check out the catalog!
Best regards,
James Boldiin
Hi James,
i was most interested in your blog about choosing a new horn. I am a retired military musician, started out as a trumpet player and switched to horn 13 years ago. I am 63,, play and practice every day, live in Nashville Tennessee and mostly play in the “commercial” genre. I too play a 667V which I love, but have always wanted a top of the line horn, and have an order in for a new Engelbert Schmid ES1. I also play a Laskey mouthpiece and spoke at length to Scott Laskey at Midwest about the mouthpiece receiver on the leadpipe. I wanted a lightweight horn, love the brighter “Chicago” sound. Play in a church orchestra every Sunday and have been told by people who’s musical opinions that I respect that my 667V projects very well, so that is important. Anyway I expect my new Schmid to arrive sometime in Mid March. Thanks for your views
Hi Doug,
Thanks for reading my blog, and congratulations on your new horn purchase. I have been very happy with my ES1, although it took a few months to adjust to it after playing the Yamaha. They are both fine horns, but with a few differences. I’ve posted a few things about the horn here:
http://hornworld.wordpress.com/2011/03/10/horn-search-complete-for-now/
http://hornworld.wordpress.com/2011/03/11/engelbert-schmid-lead-pipes/
http://hornworld.wordpress.com/2011/05/18/grooves-notches-and-other-note-shapes/
One feature I really like about the ES1 but have not yet tried out is the wide range of bell sizes and alloys that Schmid offers. When I ordered mine I went with a medium size flare, which I thought would match the feel of the Yamaha pretty closely. In the future I’m thinking about trying out some different bell flare/alloy combinations.
Best regards,
James Boldin
Just wanted to let you know that Phil Munds, Principal Horn of the Baltimore SO, released his second album in October 2011, Thin Space. This one and his first album, Spiorad contain truly magnificent horn playing. It might be worth a review if you are looking for something to write about.
PS…the two albums are available on CDBABY.COM
Thanks very much for the info! I will check out both these recordings.
Dear Mr Boldin,
I am trying to contact Stephen Gamble who I read has been in contact with you.
I was a student of Leonard Brain whose widow Audrey recently passed away and whose obituary was written by Stephen Gamble.
I would like to get some further information relating to Audrey.
Many thanks in anticipation,
Laurence A Frankel